As people who follow me on Twitter might know, I had the opportunity to attend the 2021 Annecy festival - the most important festival dedicated to animation in the world. I had initially planned to release a few articles on the movies and works I’ve seen, but finally decided against it: the pieces I had started to make were simple (and, in my view, rather uninteresting) reviews, and their content didn’t really fit what I wanted for this blog. However, there is one movie that I feel the need to talk about, because watching it made me think a lot and realize many things on animation as a whole, my position towards it, why I like certain things and dislike others. That movie is The Crossing (La Traversée), a European film by Florence Miailhe which won the Jury Mention. What makes it stand out is not so much its beautiful and rather well-led plot, but its technique: it is entirely made by paint-on-glass.
Animétudes celebrates its first anniversary! It has been a relatively short time, but the blog has grown a lot and I’m very thankful for that. So, first of all, I thank all my readers and those who have followed me during this adventure. I have done a bit of reflection over the past and future of the blog here. This time, to celebrate, I’d like to come back over my own relationship with animation and sakuga by highlighting some of my favorite animated sequences.
Writing about animation isn’t easy. In my experience, the two pitfalls you’re bound to run into at some point are evaluation and description. Evaluation means that you have to justify that what you’re writing about is worth writing about: in other words, that it’s good or interesting in some way. But these are of course … Continue reading Motion/Movement
You might be aware that 2020 has been a busy year. For the world at large, of course (and I’m not going into that), but for me as well. I moved into an apartment of my own, began working on a Master’s thesis, organized a seminar on anime at my university and, of course, started … Continue reading Starting Point