Animétudes celebrates its first anniversary! It has been a relatively short time, but the blog has grown a lot and I’m very thankful for that. So, first of all, I thank all my readers and those who have followed me during this adventure. I have done a bit of reflection over the past and future of the blog here. This time, to celebrate, I’d like to come back over my own relationship with animation and sakuga by highlighting some of my favorite animated sequences.
It’s probably no secret by now that most of the work done by the Hiroyuki Imaishi-You Yoshinari team contains some sort of political commentary ; however, when looking quickly at works like Kill la Kill or Promare, one might be led to believe that this commentary rests on a simple-minded manicheism : bad fascists/capitalists are … Continue reading Beyond Manicheism : the politics of Brand New Animal
Katsuhiro Otomo’s work in animation is mostly and rightly remembered for his 1988 masterpiece Akira, especially in the West where it has become part of the SF and animation canon. However, just like his career as a mangaka goes beyond Akira, his contribution to anime does not only come down to this behemoth of 80’s … Continue reading Before and after Akira : the themes and motifs of Otomo’s shorts
In a previous essay about otaku identity and militarism, I mentioned that the issue of gender was a central one to understand the development of otaku identity, and most notably, its construction as a dominantly male, SF-oriented narrative. Most of Japanese feminist and queer anime criticism (most notably the work of Mari Kotani) has sadly … Continue reading Gender roles in Gundam and Macross
Anime is infamous for its unsuccessful attempts in the horror genre : even though violence is often depicted, the feelings of fear and terror are rarely provoked in the audience. The explanation you most often see comes from the medium itself, animation : because we know, more than in live-action cinema, that what we see … Continue reading Animating terror : Noroi the white weasel