It is tempting, as is always the case with great artists, to imagine Yoshinori Kanada as a solitary shooting star who appeared and revolutionized Japanese animation from nowhere, a pure genius whose inscription in a historical context is almost irrelevant to understanding his work. The very nature of this project goes against such a vision, as it aims for two things: 1) not just evoking Kanada, but all those he met and inspired, and their own careers, and 2) a history that takes into account not just the artists, but the evolution of their styles and their relationships with the general context of the animation industry at the time.
Animétudes celebrates its first anniversary! It has been a relatively short time, but the blog has grown a lot and I’m very thankful for that. So, first of all, I thank all my readers and those who have followed me during this adventure. I have done a bit of reflection over the past and future of the blog here. This time, to celebrate, I’d like to come back over my own relationship with animation and sakuga by highlighting some of my favorite animated sequences.
Writing about animation isn’t easy. In my experience, the two pitfalls you’re bound to run into at some point are evaluation and description. Evaluation means that you have to justify that what you’re writing about is worth writing about: in other words, that it’s good or interesting in some way. But these are of course … Continue reading Motion/Movement
As a conclusion for this series on the sakuga community, it seemed fitting to me to target a different audience - not the experienced sakuga fans who would be interested in the theory and history of the community, but those who’ve just started getting into it, or haven’t even yet. Basically, this isn’t going to be an essay like the others, but I’d like it to be used as a resource : a place to find other places to start getting into sakuga.
Toadette, who I interviewed for my sakuga series, is not just a writer, but also a maker of animator's reels. Here, they were kind enough to chronicle the making of a titanic work : a complete retrospective of the career of legendary Madhouse animator Manabu Ohashi.
The other articles in this series are available here : Part 1 ; Part 2 ; Part 3 ; Part 4 ; An interview with manuloz ; An interview with Blou ; An interview with Geth This series on the sakuga community is going to be half articles, half interviews of members of the community. … Continue reading Exploring sakuga – An interview with Toadette
The idea here is not so much to add on complaints about the current state of the community, whether they’re justified or not. It isn’t either to be a normative account of what sakuga should be - I’ve been an active member of this community for far too little time to even dream of making such claims. Take it rather as my own follow-up on “At Least It’s An Ethos” - though I hope a less controversial one : some ideas about what sakuga means to me as an anime fan, and what it does and could bring to anime writing and criticism in general.
This time, I interviewed Geth, sakuga fan and Naruto expert, creator of the most famous sakuga Discord, Naruto Sakuga.
By 2016 and the creation of the companion Sakuga Blog, the sakuga community we now know had pretty much been formed. But that wasn’t without debates and heated discussions which would definitely establish the core elements of the sakuga discourse and positioning towards the general anime fandom. This all happened in and around one of the most prominent sakuga blogs of the time, Wave Motion Cannon, between 2016 and 2017.
This time, I talked with Bloodyredstar, aka Blou, sakuga fan and production assistant at Studio Tonton, currently making an amateur Naruto OP and ED.