My favorite things

Animétudes celebrates its first anniversary! It has been a relatively short time, but the blog has grown a lot and I’m very thankful for that. So, first of all, I thank all my readers and those who have followed me during this adventure. I have done a bit of reflection over the past and future of the blog here. This time, to celebrate, I’d like to come back over my own relationship with animation and sakuga by highlighting some of my favorite animated sequences.

Animation, from Pinocchio to Cutie Honey

Animation has an affinity with shape-shifting, to the point that even saying this is cliché. Since one of the first theoretical texts on animation, Serguei Eisenstein’s Notes on Walt Disney, the ability for objects to change forms at will has always been considered essential to the medium. That’s what Eisenstein called “plasmaticness”: the fact that animated objects and characters aren’t made of real matter, but rather of a sort of “plasma” that’s perpetually open to alteration. This is why animation has always been understood through the lenses of fairy tales, fantasies and phantasmagories.

The purpose of realism in animation

The concept of realism in animation is a tricky one. Indeed, animation is thought to be the perfect medium to transcend reality and give shape to one’s wildest dreams - it has become a cliché to say that the animator’s imagination is the only limit. However, paradoxically, some of the most important artists and works in the medium have seemingly relinquished this aspect, believed to be essential.

Animation and subjectivity : towards a theory of framerate modulation

In my previous essay dedicated to Thomas Lamarre’s concept of animetism I argued that when studying animation, we shouldn’t just take into consideration space (how objects are distributed and move across the frame), but also time, which I believe is key to understanding the essence of movement. Indeed, movement is not just motion through space, … Continue reading Animation and subjectivity : towards a theory of framerate modulation

Beyond Manicheism : the politics of Brand New Animal

It’s probably no secret by now that most of the work done by the Hiroyuki Imaishi-You Yoshinari team contains some sort of political commentary ; however, when looking quickly at works like Kill la Kill or Promare, one might be led to believe that this commentary rests on a simple-minded manicheism : bad fascists/capitalists are … Continue reading Beyond Manicheism : the politics of Brand New Animal

Before and after Akira : the themes and motifs of Otomo’s shorts

Katsuhiro Otomo’s work in animation is mostly and rightly remembered for his 1988 masterpiece Akira, especially in the West where it has become part of the SF and animation canon. However, just like his career as a mangaka goes beyond Akira, his contribution to anime does not only come down to this behemoth of 80’s … Continue reading Before and after Akira : the themes and motifs of Otomo’s shorts

On animetism : or, the importance of sakuga to theory

Thomas Lamarre’s The Anime Machine is undoubtedly one of the most important books dedicated to animation, and especially to anime. It manages to be at the same time a historical overview of anime and its techniques, a thorough analysis of some of its most prominent artists, and a compelling theory of animation and media in … Continue reading On animetism : or, the importance of sakuga to theory