mixture of expressionist motion and anatomical realism was born. It was also the moment when another one of anime’s key stylistic features developed: mechanical animation. Early TV anime had featured mechanical objects such as spaceships, planes, cars and robots, but it was only by the end of the 60s that “mecha animation” started being acknowledged as a distinct artistic process with its own specific techniques, modes of expression, and expertise different from both character and effects animation.
When asked what was the biggest anime event of the year 1988, most people would surely answer Akira. Ghibli fans may note Grave of the Fireflies or My Neighbour Totoro. Only few people would mention one of the most ambitious entries in the Gundam franchise: Char’s Counterattack. Yoshiyuki Tomino’s third feature film project, and the first non-recap one, put an end to a story that had been going on for almost 10 years, the so-called “early Universal Century”. It was a turning point, not just for the Gundam series, but for anime as a whole - though this is rarely known or framed as such, since the movie is mostly only accessible to already experienced Gundam watchers. The goal of this article is to correct this state of affairs.