More than the Kanada school, whose members appeared throughout the 80s, this new group of animators deserves the word “generation”. The six major animators I will focus on were all born in the second half of the 60s, and debuted as key animators within the same five years: Atsuko Ishida (1986), Masayuki Kobayashi (1988), Atsushi Wakabayashi and Norio Matsumoto (1989), Tetsuya Nishio (1990) and Hirofumi Suzuki (1991). Most of them have since risen to prominence as some of the most important animators alive, and left a deep mark on 90’s and 2000’s animation. This was made possible by the new style they all contributed to establish, one I would term “flow animation”.
How did Yoshinori Kanada go from being “merely” a very talented animator to one of the most influential members of the anime industry? That’s a fascinating question, and yet one I haven’t seen much precise discussion of. The world of anime was much smaller then, but it was nevertheless a relatively fast process: in just a few years, the budding Kanada school had already its leaders, its main animators, and a flagship named Urusei Yatsura. This is a fascinating show, as it was such an important moment in anime history and saw some of the industry’s most talented creators meet. It started airing in 1981, the very start of the decade for which it would set most of the stage.