A 1981 roundtable focusing on anime background art, featuring Takamura Mukuo and his colleagues Katsumi Handô, Hiroya Yamura and Shûji Konno. Followed by a commentary on the sociology of background artists and the changing roles of anime background art through time.
oxical reception and reputation. In Japan, it is just as well considered as Isao Takahata’s other two entries in the World Masterpiece Theater, with entire generations of animators (chief among them Takashi Nakamura, Satoru Utsunomiya and Toshiyuki Inoue) counting it as one of their sacred texts. In English-language discourse, while Marco is extremely well-considered among those who have seen it, their number is small, and Marco is far from being as popular as Heidi or Anne. This article will not aim to provide reasons for this state of affairs, but to give a thorough presentation and commentary on Marco and its importance in Isao Takahata’s career, the World Masterpiece Theater, and anime history at large.